The Rennie Ellis Show comes to SAM

24 November 2014

Shepparton Art Museum is proud to host a very special photography exhibition over the summer, titled The Rennie Ellis Show.

For the iconic Australian photographer Rennie Ellis, the 1970s-90s was ‘a great period of change'; one that now seems a world away. It was a world free of risk, of affordable inner city housing, of social protest, of disco and pub rock, of youth and exuberance.

The Rennie Ellis Show highlights some of the defining images of Australian life from the 1970s to ‘90s. This is the period of Gough Whitlam and Malcolm Fraser, Paul Keating and Bob Hawke; AC/DC and punk rock; cheap petrol and coconut oil; Hare Krishnas, and Hookers and Deviates Balls.

Like no other Australian photographer of the period, Ellis was a master of immersing himself in any scene, and photographing it in rich and incredibly frank detail. Best remembered for his effervescent observations of Australia, including his now iconic book Life's a beach, Ellis's huge archive of pictures taken during this period now forms an important historical record.

SAM Director Kirsten Paisley said:
‘The work of Rennie Ellis is no doubt viewed differently in retrospect than it would have been in its day. He has provided a documentary archive of Australian life and the idiosyncrasies of human behavior through a series of encounters with other people's lives. The results are entertaining as ever, and now, deeply nostalgic.'

Monash Gallery of Art's Stephen Zagala said:
‘As the home of Australian photography, MGA is pleased to have developed this important exhibition from one the greats of Australian photography. Photography has changed so much over the last decade or so. Most of the photographs Ellis took on Australia's beaches, streets and in our nightclubs during the 1970s-90s could not be taken now. So this exhibition is about a world that has well-and-truly passed, both in terms of the places it shows and also of photography itself.'

The exhibition will be officially opened by Manuela Furci, Director of the Rennie Ellis Photographic Archive, on Friday 12 December at 6pm, together with the Friends of SAM annual exhibition and Christmas Party event. Further information on this event and making a booking can be found on SAM's website www.sheppartonartmuseum.com.au.

The exhibition will be supported by two important books of Ellis's work – Decade and Decadent (both Hardie Grant, Melbourne).

The Rennie Ellis Show will be open to the public from Friday 12 December 2014 to Sunday 22 February 2015. Entry is free. SAM is open 7 days from 10am to 4pm (public holidays 1pm to 4pm).

Shepparton Art Museum is proudly provided by Greater Shepparton City Council, located at 70 Welsford Street, Shepparton. For general SAM enquiries and bookings please contact: (03) 5832 9861, email art.museum@shepparton.vic.gov.au, or visit www.sheppartonartmuseum.com.au for more information.

The Rennie Ellis Show is a travelling exhibition presented by The Rennie Ellis Photographic Archive along with Monash Gallery of Art, the home of Australian photography who is supported by the Victorian Government through Arts Victoria.

SAM feasibility study update

27 October 2014

Research into a possible new Shepparton Art Museum (SAM) jointly funded by Greater Shepparton City Council and Regional Development Victoria, has reached another milestone with the completion of Phase Two of the project.

Approximately 300 people participated in face to face interviews, workshops, briefings and through an online platform, called 'Share Your Vision', which allowed interested stakeholders to post their ideas for the future SAM and review other people's ideas.

An additional 300 people who had visited and stayed in regional Victoria and visited an art museum in the past 12 months provided strong data on which experiences were most likely to attract visitors to Greater Shepparton.

The consultation generated several common themes for a potential new SAM which will be explored further in public consultations in November.

Phase Three of the Feasibility Study will provide another opportunity for additional consultation, exploring the common themes. The feasibility project is running over four phases and should be completed by the end of 2014. The final report will be presented to Council in the coming months.

The Feasibility Study and workshops are being conducted by Simon McArthur & Associates who have an extensive background in cultural tourism development including the highly awarded Q Station Retreat on Sydney's North Head.

Interested members of the public can attend a workshop at Shepparton Art Museum, 70 Welsford Street, Shepparton, from 6 – 8pm on Wednesday 12 November. Please RSVP by 7 November to Jane Westcott (Consultation Coordinator) via email janewestcott65@gmail.com or phone 0448 068 023.

Share Your Vision for a Future SAM

21 September 2014

Tourism consultants Simon McArthur & Associates commenced the Shepparton Art Museum (SAM) Feasibility Study recently and are asking interested people to contribute to the study.

“People who would like to share their vision for a future SAM are able to go online and simply provide a few words about what they would encourage them to visit the art museum,” said Project Director Simon McArthur.

“People’s thoughts will be published on the live site for others to view. You might find some ideas you like and want to champion them yourself.”

Simon McArthur & Associates spent their first two weeks talking with SAM stakeholders, exploring the current SAM and visiting sites where a potential new SAM could be located.

“We are overwhelmed by the strong support for this project, and the consistent vision for what a new SAM could strive for – a vision that would benefit locals and visitors,” he said.

“The next stage will include interviews, workshops and an online opportunity for locals and people across Australia to suggest ideas. The Project Board will assess the options and decide which one or combination has the most merit,” he said.

“The Study will then develop the preferred option, test and refine it, cost its development and operation, and determine its potential economic and social impacts,” said Simon. “Assuming that the chosen option is feasible, the final stage involves full documentation and a Business Plan, so that funding can be sought.”

“We know the community and our team can create some fantastic options, the challenge will be to choose and refine one that is feasible – but we love a challenge,” Simon said.

Greater Shepparton City Council Mayor Jenny Houlihan said it was an exciting time for Council and SAM. “This is a great opportunity for the Greater Shepparton community to contribute to ideas for a potential new SAM, in a fun interactive way. Everyone can have input and present their thoughts and ideas,” said Cr Houlihan.

Simon McArthur & Associates have an extensive background in cultural tourism development including the highly awarded Q Station retreat on Sydney’s North Head.

For further information about the project please contact Project Director Simon McArthur on 0427 240 664.

SAM Feasibility Study to Commence

3 September 2014

Consultancy services for a possible new Shepparton Art Museum (SAM) Feasibility Study have been procured with the study to be undertaken by Simon McArthur and Associates.

A Tender Evaluation Panel comprising Council and SAM staff and Regional Development Victoria considered all applications. Simon McArthur and Associates are specialists in the cultural, indigenous and tourism development sectors and the feasibility study will be led by Principal Simon McArthur.

The Study is being undertaken to determine and assess the options for a possible future new facility for SAM and provide recommendations for the delivery of the preferred option. The purpose of the Study is to identify the available options for SAM to grow its program, collections, impact in the region and in the sphere of visual arts in Australia.

Greater Shepparton City Council Director Community, Kaye Thomson says the Study "will identify and assess options for the growth of SAM, including the viability of a new Museum and provide recommendations to address the current constraints and limitations."

"The business planning components of the overall study will provide advice about the substance, governance and form of a possible new SAM and its intended and potential impact in the region."

The Study will provide a clear picture about the ability of a new SAM to propel forward arts led economic and social growth for the region, through the creation of a major cultural and educational tourist attraction which will drive visitation and dramatically improve perceptions of Greater Shepparton as a place to visit, live and invest.

"We expect the Feasibility Study will be completed within the next few months," said Ms Thomson. "Once we have all the options Council will be able to make an informed decision about the direction for a possible new SAM."

Media enquiries Sonja King (03) 5832 9701 or 0407 523 945
Media releases can be viewed online at www.greatershepparton.com.au

‘Angels’ a Success

2 September 2014

Shepparton Art Museum’s new exhibition Delinquent Angel: John Perceval’s Ceramic Angels was officially opened on Saturday 30 August by Arts Victoria Director, Andrew Abbott. Over 200 people viewed 38 angels created by Perceval, together for the first time.

‘It is without doubt a world-class exhibition and a great credit to the SAM team,’ senior acting curator and former Shepparton Art Gallery director Joe Pascoe said. ‘The whole presentation is outstanding, from the specially-made display furniture and carefully positioned labels, through to the documentation which is impressive and accessible. Some plinths are placed at children’s height to ensure that the whole family can enjoy viewing the many differently themed angels. It really is a must see event that people will talk about for years to come.

‘The exhibition has had an outstanding response in its first few days. Though it is not for us at SAM to praise ourselves – the quiet and deeply sincere appreciation of John Perceval’s daughter Celia, travelling all the way from England, blessing the project as worthy of her beloved and wonderful father.’

Following the official opening, the Friends of SAM presented the sell-out fundraising event, A Toast to the Angels: Gala Dinner and Wine Auction. The Victorian Wines Show provided winning wines from 2013 for guests to celebrate and toast to the angels, with Goulburn Valley wineries and vineyards donating lots that were auctioned off by Geoff Dobson. With the event selling out and approximately $14,000 raised, the

Friends of SAM president Barb Gray said:

‘The Friends of SAM committee are absolutely thrilled with the amount of money raised. We have received so much positive feedback from attendees about their experience, the wonderful food by Jill and Bernard Hayes, and the selection of table wines. We would like to thank the Victorian Wines Show and Goulburn Valley wineries for their very generous contribution. $14,000 was raised on the night. All of the money that the Friends of SAM raise is used to support SAM often to acquire new artworks to be enjoyed by all of the community.’

View the Angels
Delinquent Angel brings together 38 John Perceval’s inspiring angel sculptures produced during the 1950s and 1960s in admiration of their technical and conceptual sophistication, humour and beguiling charm. The exhibition at SAM is the largest collection of works from the series ever brought together in a single showing.

These angels have been brought together from across Australia, from major institutions such as the National Gallery of Australia, National Gallery of Victoria, Australian War Memorial and Art Gallery of South Australia, to the many generous private lenders. SAM is fortunate enough to own three angels by Perceval, including the Delinquent Angel (1961) that you may have seen since it was acquired by the then Shepparton Art Gallery in 1976.

If you’re interested in learning more about John Perceval and his ceramic angel series, visit SAM on Tuesday 23 September when director and curator of the exhibition Kirsten Paisley will present a floor talk on the exhibition. This is a free event. Also coming up is Strings, High Tea and Perceval’s Angels on Saturday 4 October and Saturday 1 November, where you can enjoy live heavenly and ethereal sounds by GV Concert Orchestra and electric duo Wildebeest respectively, while viewing the exhibition. Click here for further information. SAM has also generated a blog for the exhibition, where a range of images and articles are being reproduced as a great resource to the show along with a newly added video interview with Celia Perceval. You can also follow regular updates on SAM’s Facebook page.

Delinquent Angel: John Perceval’s Ceramic Angels is now showing until Sunday 23 November 2014. Entry is free. SAM is open 7 days from 10am to 4pm (public holidays 1pm to 4pm).

Image: Celia Perceval travelled from England to attend the opening of her father’s exhibition on Saturday 30 August at SAM. She is pictured with ‘Winkie Angel’, who is based on her as a child.

MEDIA Amina Barolli, SAM Marketing Co-ordinator p (+61 3) 5832 9522 amina.barolli@shepparton.vic.gov.au m (+61) 400 578 609

A Toast to the Angels

10 August 2014

Shepparton Art Museum (SAM) is delighted to present Delinquent Angel: John Perceval’s ceramic angels, opening to the public on Friday 29 August.

This historically significant exhibition brings together 38 of John Perceval’s ceramic angel sculptures for the first time since they were first exhibited in 1958 and 1959 at the Museum of Modern Art of Australia with texts by David Boyd and John Reed. Delinquent Angel: John Perceval’s Ceramic Angels is a landmark exhibition for SAM and highlight of the 2014 exhibition program. The exhibition draws three works from SAM’s nationally significant ceramics collection.

SAM Director Kirsten Paisley said:
‘This exhibition celebrates SAM’s special connection with John Perceval and his delinquent angels. John Perceval’s Delinquent Angel (1961) was purchased by Shepparton Art Gallery in 1976. It later toured to Italy and China in 1995 as part of a ceramic collection exhibition, becoming the logo for the gallery from that time until our rebranding in 2012. Delinquent Angel: John Perceval’s Ceramic Angels is the largest collection of the series ever brought together, and marks 40 years since they were last exhibited at Realities, Toorak in 1974. We are delighted to feature our three much-loved angels in the exhibition, representing a pivotal moment in Australian ceramics from SAM’s outstanding collection.’

The exhibition will be officially opened by Andrew Abbott, Director Arts Victoria, on Saturday 30 August at 5pm, followed by A Toast to the Angels: Gala Dinner & Wine Auction, an event presented by the Friends of SAM with support from the Victorian Wines Show, Jill and Bernard Hayes and Greater Shepparton City Council. Special guests Mirka Mora and Celia Perceval will pose a toast to the Angels with Goulburn Valley Wines. Further information on this event and making a booking can be found on SAM’s website www.sheppartonartmuseum.com.au.

Greater Shepparton Mayor Jenny Houlihan said:
‘The exhibition opening and A Toast to the Angels: Gala Dinner and Wine Auction will connect a great moment in Australian modernism in the work of John Perceval’s ceramic Angel series to the grape growers and wine producers of the Goulburn Valley. The Victorian Wines Show is providing the best Victorian wines in show for 2013 to toast the Angels at this event and we’re delighted that the Victorian Wines Show and Goulburn Valley wine producers are collaborating to create a fantastic cultural tourism event at our charming SAM.’

Delinquent Angel: John Perceval’s Ceramic Angels will be open from Friday 29 August to Sunday 23 November 2014. Entry is free. SAM is open 7 days from 10am to 4pm (public holidays 1pm to 4pm).

Background information on John Perceval and SAM’s Delinquent Angel exhibition:
John Perceval AO is one of Australia’s most celebrated and loved artists renowned for his radicalism, expressiveness and prolific output, along with his complex personal life. As a member of the Angry Penguins avant-garde movement that began in the 1940s, Perceval joined with other Australian art luminaries Arthur Boyd, Albert Tucker, Sidney Nolan, Danila Vassilieff and Joy Hester to rail against the insular conservatism of Australian society and push for new voices and modes of expression.

Perceval is largely known for his painting practice, however from 1957-1962, during what is considered to be one of his most creative periods, Perceval produced a series of ceramic angel sculptures as a result of his involvement with Arthur Merric-Boyd’s pottery studio at Murumbeena. Perceval’s ceramic angels are often an over-looked aspect of his oeuvre despite their technical and conceptual sophistication, humour and beguiling charm. Perceval created more than 70 ceramic angels that range from self-portraits and tributes to friends and family, to figures that illustrate allegorical stories and comment on the threat of nuclear weaponry.

This historically significant exhibition brings together 38 of John Perceval’s ceramic angels from 20 major public and private collections across Australia, including the Australian War Memorial, Canberra; National Gallery of Australia, Canberra; Heide Museum of Modern Art, Melbourne; Monash University Museum of Art, Melbourne; Queensland Art Gallery, Brisbane; and Shepparton Art Museum. The exhibition will explore the themes of the angels and examine their place within John Perceval’s artistic practice and world-at-large as a father, friend, and avant-garde member of society in conservative 1950s and ’60s Australia.

Delinquent Angel: John Perceval’s Ceramic Angels will be accompanied by a new essay on the angels by art historian, Damian Smith. The essay is included in a 32 page full colour catalogue, and will also be published on the exhibition blog, www.percevalsangels.com. Here you’ll also find images of the angels being reproduced alongside contextual information, interviews, guest blog entries and education resources.

$1.5 Million Dollar Pledge from Copulos Family to a New SAM

6 August 2014

On Thursday 7 August at Shepparton Art Museum (SAM), the announcement was made that the Copulos Family, through the Peter and Maria Copulos Foundation, pledged to donate $3 million over the next 10 years in the local Shepparton community.

Stephen Copulos said:

‘It would be fantastic if we could establish a self-sustaining Museum development within 10 years. It could be the first museum in the world that can pay its own way, right here in the heart of Victoria, something we can be proud of.'

To kick start the pledge, the Copulos Family has donated $20,000 to the SAM Foundation in the form of a fundraising initiative, the Tree of Giving, for a New SAM. The Tree of Giving is displayed in the entrance of SAM, allowing for the public to pledge their support by buying a Gold ($300), Silver ($200) or Bronze ($100) leaf, with their name inscribed, to be placed on the Tree of Giving. Alternatively you can buy ‘A New SAM' lapel pin for $20 to help spread the word about why an expanded Art Museum would be good for Shepparton. The Tree of Giving and SAM lapel pin proceeds will go toward the capital fundraising drive for a new SAM.

SC: ‘Our goal is to fill the tree within 12 months. When the Tree of Giving is filled with leaves, it has the potential to raise $500,000 dollars. It will make a stunning addition to the gallery as well as a great talking point for the community where we can all proudly show off our part in the involvement of a new SAM.'

The official launch of the Tree of Giving will be at SAM's next major exhibition opening of Delinquent Angel: John Perceval's Ceramic Angels and Friends of SAM event A Toast to the Angels gala dinner and wine auction, to be held on Saturday 30 August. Bookings for this event can be made at the SAM shop in the entrance to SAM, or by phoning (03) 5832 9861.

Another $1.5m will be donated by the Copulos Family to various local health services in the Goulburn Valley to assist with the much needed improvement of health services in the region. Stephen Copulos stated this may include hospital and cancer services. It is well known that Peter Copulos is very passionate about country areas getting the same medical treatment as those in the city.

Peter Copulos said:

‘In making this commitment today, our family is humbled and showing our appreciation for the community we live in. We try and play our part in giving better access to more services and facilities. I have always been passionate about health, and believe that we in regional Australia should be entitled to expect an equal standard of health services to those offered in the big cities. I trust that others in our community will share my vision, and I take this opportunity to encourage other local businesses and families to make a contribution for our community's benefit. No matter how large or small, every bit helps.'

Greater Shepparton Mayor Jenny Houlihan said:

‘The Copulos family has once again demonstrated their genuine commitment to the development of Greater Shepparton and the wellbeing of our community, with a pledge of $1.5 million to assist with the creation of a new SAM. Their support has given the fundraising project huge momentum and is a solid base from which to build. I urge our community and all others who are interested in being part of this exciting new SAM project to visit the current museum and donate by purchasing a leaf to place on the Tree of Giving, another wonderful initiative of the Copulos family.'

SAM is open 7 days from 10am to 4pm (public holidays 1pm to 4pm).
Shepparton Art Museum is proudly provided by Greater Shepparton City Council, located at 70 Welsford Street, Shepparton. For general SAM enquiries and program/event bookings please contact: (03) 5832 9861, email art.museum@shepparton.vic.gov.au, or visit www.sheppartonartmuseum.com.au.

Image: (l-r) Peter and Stephen Copulos place their leaves on the new Tree of Giving for a New SAM at Shepparton Art Museum.

ENDS

For more information regarding this media release, and for interview and photo/video opportunities, please contact SAM Marketing Co-ordinator Amina Barolli on ph: (03) 5832 9522 E: amina.barolli@shepparton.vic.gov.au

State Government Announces Funding for SAM Feasibility Study

2 July 2014

Greater Shepparton City Council welcomes the announcement from the Deputy Premier Peter Ryan for funding of $125,000 from the Regional Growth Fund for a feasibility study on a new Shepparton Art Museum (SAM).

Greater Shepparton City Council Mayor, Jenny Houlihan, said "SAM has a definitive role to play in the sustainability of the Goulburn Valley and the cultural vitality and resilience of the residents who live here."

"This funding is vital for the future of SAM," she said. "The feasibility study will identify and assess options for the growth of SAM, including the viability of a new Museum. It will also provide recommendations to address the current constraints and limitations of SAM."

"The study will identify business planning factors and provide advice about the substance and the form of a new SAM, as well as its impact on the region. The specific needs of SAM, such as the growth of its collections, exhibitions, public and education programs, will form part of the study."

"The study should provide a clear picture about the ability of a new SAM to propel an arts-led economic and social development for our region," said Cr Houlihan. "The creation of such a major tourist attraction will drive visitation to the area and signify to a much wider audience than before that Greater Shepparton is a contemporary cultural hub, a ‘must-do' place to visit, a superb place to live and a place in which to establish a business with confidence."

Cr Houlihan also said "The experience of visitors to the Museum is currently limited by its small size, while space also constrains its ability to host events, functions, exhibition openings and larger forums."

The public tender for the SAM Feasibility Study will be advertised on Friday 4th July.

2014 Indigenous Ceramic Art Award Winners Announced

23 May 2014

Shepparton Art Museum (SAM) is delighted to announce the winners of the Indigenous Ceramic Art Award (ICAA), the premier national award for Aboriginal and Torres Strait Islander artists working in ceramics. First prize recipients are the Bankstown Koori Elders Group for their work After The Rain, Bungle Bungle. The collective of artists who meet weekly at Sydney’s Condell Park, will share the $20,000 acquisitive prize.

First prize recipients are the Bankstown Koori Elders Group for their work After The Rain, Bungle Bungle. The collective of artists who meet weekly at Sydney's Condell Park, will share the $20,000 acquisitive prize.

The $10,000 second prize has been awarded to Alison Milyika Carroll, a Pitjantjatjara artist for her work Ngayuku Walka.

The $3,000 acquisitive Encouragement award for a Victorian artist has been awarded to Robyne Latham, a Yamatji woman from Western Australia, who has lived in Melbourne for the past 28 years. In the work PODS3, Robyne references the lynching of Aboriginal men for providing bush tucker for their families.

Three Special Acquisition Prizes have also been awarded to Tanya Flower, Shauna Colin and Anne Thompson.

SAM Director Kirsten Paisley commented:

‘We were very impressed with the scale and collaborative nature of the Bankstown Koori Elders Group and intrigued by the way in which they had come together from various cultural and language groups to conceive and beautifully resolve a single vision of the remote landscape of the Bungle Bungles. The vibrant crystal blue glaze depicting rock-pools created after the rain is evocative of a remarkable place in Australia and shares their appreciation for the ancient rock formations there. From Ernabella in remote South Australia, Milyika Carroll's large pot is absolutely divine, the back glaze sparkles at all its edges where she has carved into the surface joyous designs which she refers to in the title as simply Ngayuku Walka, meaning `my mark'. We were moved by the hand working of this traditional, coil -built pot, a strong and voluminous female form which is proudly inscribed with the artists own marks. Robyne's work depicts three seed pods rejuvenating after fire. ‘PODS3' have been burnished and raku fired leaving the beautiful marks of fire all over the surface. They have an irrepressible personality, and act as a powerful metaphor for life after fire and the rejuvenation Aboriginal people and cultural forms.

The ICAA celebrates and supports the rich, vibrant and diverse use of the ceramic medium by Indigenous artists. The winning works were selected from 22 shortlisted artists from across Australia, including Adelaide; Melbourne; Ernabella; Cairns; Torres Strait Islands; Bankstown, Sydney and Victoria. The award winners were announced at the official opening of the exhibition on Saturday 24 May at 4pm, following a Public Forum on Indigenous Art and Ceramics as part of the Indigenous Ceramic Art Award Cultural Weekend.

The 2014 Indigenous Ceramic Art Award is funded by the Sir Andrew and Lady Fairley Foundation, Margaret Lawrence Bequest Perpetual Trustees, Mr Allan Myers AO QC, S.J. Rothfield Family Fund and Greater Shepparton City Council.
The 2014 ICAA exhibition along with a solo exhibition by Melbourne-based artist, Bindi Cole, titled Bindi Cole: I Am is now showing until 10 August 2014 at the Shepparton Art Museum, Victoria.

1st prize
Bankstown Koori Elders Group, After The Rain, Bungle Bungle 2013
ceramic on MDF board 39.5 x 93 x 197 x 487 cm

2nd Prize
Alison Milyika Carroll, Ngayuku Walka 2014
ceramic 54 x 29 x 30 cm

Victorian Prize
Robyn Latham, PODS3 2014
terracotta 20 x 35 x 35 x 90 cm each

Shepparton Art Museum is proudly provided by Greater Shepparton City Council, located at 70 Welsford Street, Shepparton. For general enquiries and bookings please contact: (03) 5832 9861, email art.museum@shepparton.vic.gov.au, or visit www.sheppartonartmuseum.com.au. Open 7 days, 10am to 4pm, public holidays 1pm to 4pm. SAM is also on Facebook, Twitter and Instagram @SAM_Shepparton.

2014 Indigenous Ceramic Art Award Opens this week at Shepparton Art Museum

13 May 2014

Shepparton Art Museum’s fourth Indigenous Ceramic art Award (ICAA) opens this Friday 16 May along with a solo exhibition by Melbourne-based artist, Bindi Cole.

The ICAA celebrates and supports the rich, vibrant and diverse use of the ceramic medium by Indigenous artists. This year's exhibition will include work by 22 artists shortlisted across Australia, including Adelaide; Melbourne; Ernabella; Cairns; Torres Strait Islands; Bankstown, Sydney and Victoria.

With a combined prize pool of $33,000, SAM's Indigenous Ceramic Art Award is the premier national award for Aboriginal and Torres Strait Islander artists working in ceramics.

First prize $20 000 Acquisitive
Second prize $10 000 Acquisitive
Encouragement Award (for a Victorian artist) $3,000 Acquisitive

The 2014 Indigenous Ceramic Art Award is funded by the Sir Andrew and Lady Fairley Foundation, Margaret Lawrence Bequest Perpetual Trustees, Mr Allan Myers AO QC, S.J. Rothfield Family Fund and Greater Shepparton City Council.

The award winners will be announced at the official opening of the exhibition on Saturday 24 May at 4pm, following a Public Forum on Indigenous Art and Ceramics as part of the Indigenous Ceramic Art Award Cultural Weekend on Saturday 24 – Sunday 25 May.

SAM Director Kirsten Paisley commented:

‘The 2014 award highlights the development of artists through the award series, and also how many new artists have discovered ceramics and are beginning to make work for the first time in clay. It has been particularly encouraging to see a local ceramic studio established in Shepparton this year and previous ICAA artists teaching ceramics, as yet a further extension of the ICAA program and its impact on individuals.'

SAM will also present a film produced by Nicholas Boseley in the exhibition based on his journey to meet with Aboriginal and Torres Strait Islander ceramic artists across Australia over the past six months. From renowned pottery studios in Hermannsburg and Ernabella, NT to a new ceramics studio for Aboriginal artists in Shepparton, Victoria; and artists working in Adelaide and the Tiwi Islands, Nicholas meets artists as they prepare to produce work to enter in the 2014 ICAA.

SPECIAL EVENTS

Public Forum on Indigenous Art and Ceramics
Saturday 24 May, 2.30pm to 4pm
This forum will ask the overarching question of: What role does the practice of Indigenous Ceramics play in the wider landscape of Australian Contemporary Art? The panellists will drill into this question to draw out some thought provoking and enlightening ideas, thoughts and observations around the direction of Aboriginal Art in the 21st Century and its place in the wider contemporary art scene. The mediator for this discussion is Joe Pascoe – Director of Insect Arts Consultancy and former Director of the Shepparton Art Gallery and Craft Victoria. The panellists come from a variety of roles within the Aboriginal Art Industry:
Elizabeth Liddle – Senior Arts Officer, Indigenous Arts, Arts Victoria
Kimberley Moulton – Project Officer and Curator at Bunjilaka Melbourne Museum
Deanne Gilson – Visual Artist
Nicholas Boseley – Curator of the 2014 Indigenous Ceramic Art Award and Manager of Narana Aboriginal Cultural Centre

Official Opening of the 2014 Indigenous Ceramic Art Award, Bindi Cole: I Am exhibition and Drawing Wall #15 by Reko Rennie
Saturday 24 May, 4pm
Come along and celebrate the opening of SAM's fourth Indigenous Ceramic Art Award, a solo exhibition of artist Bindi Cole's new and old work, and the latest instalment of the Drawing Wall by Reko Rennie.

Curatorial Floor Talk on the 2014 Indigenous Ceramic Art Award
Sunday 25 May, 11am
2014 ICAA curator Nicholas Boseley will speak about his experiences, interactions and discussions with Indigenous artists working in ceramics from the Torres Strait, Tiwi Islands, Darwin, Central Desert, South Australia, Queensland and Victoria prior to this exhibition. Join Nicholas for an adventure through the 2014 ICAA exhibition coloured by the ‘back story'!

Open Studio at Gallery Kaiela
Sunday 25 May, 1pm to 3pm @ Gallery Kaiela, 137-139 High Street, Shepparton
Meet Indigenous artists at work in Gallery Kaiela's newly established Ceramic Studio. The artists will speak informally about the works they have made as part of the 2014 ICAA Cultural Program.

Please RSVP to any of these events by phoning (03) 5832 9861 or emailing rsvp-sam@shepparton.vic.gov.au.

ENDS

SAM presents it’s 15th Drawing Wall by Reko Rennie

4 May 2014

Shepparton Art Museum (SAM) is proud to present its 15th Drawing Wall commission by Indigenous Melbourne-based street artist, Reko Rennie, completed in the Eastbank Centre foyer on Friday 2 May.

Melbourne-based street artist Reko Rennie belongs to the Kamilaroi/Gamilaroi people of NSW and is known for his incisive use of symbols and strong graphic style. Reko has brought his urban sensibility, biting commentary and respect for traditional culture to this new work at SAM. Three hand drawn symbols – the crown, the diamond and the Aboriginal flag – are presented as an emblematic statement about the original royalty of Australia.

‘The crown symbol is both in homage to my graffiti roots and also pays due respect to Jean-Michel Basquiat, but most importantly symbolizes sovereign status. The crown reminds us that Aboriginal people are the original sovereigns of this country,' Reko said.

‘The diamond symbol is emblematic of my connection to the Kamilaroi/Gamilaroi people. This diamond symbol is similar to a family crest; it is a part of me.'

‘The hand-drawn Aboriginal flag in the form of a graffiti tag pays respect to all Aboriginal people, from environments both urban and remote, and anywhere in between.'

Last week saw Reko install this new work, while visitors to SAM and the Eastbank Centre were able to watch Reko work until its completion on Friday afternoon.

‘Reko's work on the Drawing Wall can be appreciated on so many different levels – for its graphic beauty, diverse cultural influences and prescient commentary,' SAM curator Elise Routledge said. ‘We're very proud to be presenting the work of such an exciting and in-demand artist at SAM and invite anyone with interest in street-art, fashion, graphic design or contemporary Aboriginal culture to come and check it out.'

For more information on Reko Rennie, please visit www.rekorennie.com.

‘Regalia' by Reko Rennie for The Drawing Wall #15 will remain on display in the Eastbank Centre foyer until 27 July. It will be officially opened along with the SAM's 2014 Indigenous Ceramic Art Award and Bindi Cole: I Am on Saturday 24 May at 4pm.

Shepparton Art Museum (SAM) is proudly provided by Greater Shepparton City Council, located at 70 Welsford Street, Shepparton. SAM is open 7 days from 10am to 4pm (public holidays 1pm to 4pm). For general enquiries and bookings, please contact (03) 5832 9861, email art.museum@shepparton.vic.gov.au, or visit www.sheppartonartmuseum.com.au for more information.

SAM presents Bindi Cole: I Am

1 May 2014

Shepparton Art Museum (SAM) is proud to present a solo exhibition by Bindi Cole. Bindi Cole: I Am will open on Friday 16 May until Sunday 10 August. The exhibition presents a number of works that investigate themes of love, forgiveness and redemption in Cole’s practice.

Bindi Cole's compelling photographs, videos and installations fearlessly approach taboo topics with dignity, humour and compassion. Cole is based in Melbourne with Australian and Wadawurrung heritage, and her cultural identity and personal history feature as strong themes in her art. Cole is receiving growing recognition from art institutions across the country, with her work featured in the highly successful ‘Melbourne Now' exhibition at the National Gallery of Victoria, Melbourne, and as a feature of the current 19th Biennale of Sydney.

Bindi Cole: I Am presents a new video work that reflects on current discussions around the planned repeal of section 18C of the Racial Discrimination Act that makes it unlawful to insult a person or group because of their ‘race, colour or national ethnic origin'.

Bindi said 'Everyone deserves the right to be free from discrimination. There is no place in our community for hateful, shaming, denigrating, humiliating and intimidating speech. It's just not on, and I'm not sure how we arrived at a destination where some believe that this type of behaviour is acceptable, or even an absolute right.'

The exhibition also includes EH5452 (2012), an installation about the ultimately redemptive time that Cole spent imprisoned in an English gaol earlier in her life. In her artist statement about this work, Bindi Cole said ‘EH5452 aims to turn something dark, hidden and shameful into something light, revelatory and beautiful.' Accompanying EH5452 is a selection of art works made by artists currently living in Victorian prisons.

Other works include a suite of photographs of clouds in the sky at dawn and dusk. Titled Clouds Are The Dust Of His Feet (2013) and Lakorra (2013), these photographs explore Aboriginal land ownership, expressions of the sublime and religious faith. Cole's powerful video work Seventy Times Seven (2011) is also presented as a single channel installation. In this work, a number of Indigenous Australians repeat the words ‘I forgive you', creating a potent reflection on the national apology to Australia's Stolen Generations, and more broadly – the role of forgiveness in personal and political life.

Curator Elise Routledge said ‘While often deeply personal, Bindi Cole's work raises broader questions about the relationship between personal identity and established power structures in society. It is unapologetically political, but grounded in ideals of love and compassion. It's very exciting to be presenting Bindi's incisive new work to audiences in Shepparton.'

Bindi Cole: I Am will officially open along with the SAM's 2014 Indigenous Ceramic Art Award and the 15th Drawing Wall by Reko Rennie on Saturday 24 May at 4pm.

On Thursday 19 June at 6pm, the art museum will also hold a special SAM Out Late! event where Bindi Cole will discuss her work in conversation with SAM curator Elise Routledge.

Shepparton Art Museum (SAM) is proudly provided by Greater Shepparton City Council, located at 70 Welsford Street, Shepparton. SAM is open 7 days from 10am to 4pm (public holidays 1pm to 4pm).
For general enquiries and bookings, please contact (03) 5832 9861, email art.museum@shepparton.vic.gov.au, or visit www.sheppartonartmuseum.com.au for more information.

2014 Indigenous Ceramic Art Award Shortlisted Artists Announced by Shepparton Art Museum

13 April 2014

SAM has announced the shortlisted artists who will present works in its 2014 Indigenous Ceramic Art Award (ICAA) next month.

This year’s award will include work by 22 artists shortlisted from across Australia, including Adelaide; Melbourne; Ernabella, NT; Cairns, Qld; Torres Strait Islands; Bankstown, Sydney and regional Victoria.

The 2014 ICAA shortlisted artists include:

Anne Thomson
Bankstown Koorie Elders group
Bevan Skinner
Christina Gollan
Cynthia Vogler
Deanne Gilson
Edna Ambrym
Ellarose Savage
Irene Entata
Janet Fieldhouse
Jimmy Kenny Thaiday
Kerry Reed-Gilbert
Lawrence Omenyo
Milyika Carroll
Pepai Carroll
Ricardo Idagi
Robert Kelty
Robyne Latham
Rona Rubuntja
Shauna Colin
Shenane Jago
Tanya Fowler

With a combined prize pool of $33 000, the Indigenous Ceramic Art Award is the premier national award for Aboriginal and Torres Strait Islander artists working in ceramics.

First prize $20 000 Acquisitive
Second prize $10 000 Acquisitive
Encouragement Award (for a Victorian artist) $3,000 Acquisitive

The award winners will be announced at the official opening of the exhibition on Saturday 24 May at 4pm, following a curatorial floor talk with Nicholas Boseley at 2.30pm. For further information on the Indigenous Ceramic Art Award Cultural Weekend (Saturday 24 – Sunday 25 May) please visit www.sheppartonartmuseum.com.au/programs-and-events.

2014 ICAA guest curator and filmmaker Nicholas Boseley commented:

‘On my travels to Aboriginal ceramic studios and individual artists across Australia, I was very excited to see so many new works made with such creativity, imagination and thought.’

‘It was enriching to see how culture, personal experiences and isolation have informed the works. One sees the beautiful lands or countries the artists belong to, in all their varied and unique forms. From mountain-scapes to seedpods and sea creatures, all are evidence of a continuity of deep connection with all of nature.’

‘There are lands and seas we are compelled to imagine, by figures looking purposefully outwards. They speak of ancient rights, of events in recent Aboriginal history and the complexities of emotions arising from such.’

‘The diversity of Aboriginal culture, lands and stories will shine brightly in this superb ceramic exhibition and awards program.’

SAM Director Kirsten Paisley commented:

The 2014 Indigenous Ceramic Art Award exhibition will run from 16 May to 10 August at Shepparton Art Museum, Victoria. For further information please visit www.sheppartonartmuseum.com.au.

ICAA MAJOR PARTNERS
Sir Andrew and Lady Fairley Foundation
Margaret Lawrence Bequest, Perpetual Trustees
Mr Allan Myers AO QC

ICAA PARTNER
S.J. Rothfield Family Fund / Australian Communities Foundation / Fairer Futures Fund

For further information, high-resolution images, or to arrange for interviews, please contact SAM marketing co-ordinator Amina Barolli on (03) 5832 9522 or amina.barolli@shepparton.vic.gov.au. A VIP Media Preview will be held on Thursday 15 May at 10.30am.

New SAM Foundation Board Announced

7 April 2014

Greater Shepparton City Council has announced the appointment of a Board of Directors and an interim Board Chair for the Shepparton Art Museum (SAM) Foundation.

Managing Director Goulburn Valley Water, Peter Quinn has been appointed interim Board Chair. Mr Quinn has extensive experience in strategic planning, regional infrastructure development, organisational capacity building, risk management and governance. He holds an Executive MBA from the Australian Graduate School of Management, and has undertaken a Churchill Fellowship project on water resource management.

The Shepparton Art Museum (SAM) Foundation Board comprises seven members, with founder, Greater Shepparton City Council CEO, Gavin Cator, fulfilling a temporary appointment until the Board makes a decision with regard to up to three additional members.

Mr Quinn was appointed along with Mr Stephen Copulos, Managing Director, Copulos Group; Dr Jody Evans, Associate Professor (Marketing), Melbourne Business School; Mr Carrillo Gantner AO, Chair, Sidney Myer Fund; Mr George Gabriel, Non-Executive Director, Morphic Asset Management; and Mr Drew Pettifer, Artist and Lecturer, Monash University.

Newly appointed Chair, Peter Quinn, said "It's an honour to lead the inaugural SAM Foundation Board and I'm delighted by the calibre of individuals and the range of skills represented amongst my fellow Directors."

"It is an exciting endeavour that we are embarking on, toward a new expanded Art Museum for Shepparton," said Mr Quinn. "The vision to me is clear and compelling, and it's not just about a new building, it's about a museum that becomes the cultural heartbeat of the city and our regional communities. And of course a magnet for domestic and international visitors, so that the museum plays a big part in the future prosperity and liveability of Greater Shepparton."
"There will be many challenges along the way, but I'm confident the Board has the capability and the motivation to keep an eye on the prize and work towards a great outcome," he said.

Greater Shepparton City Council CEO, Gavin Cator said the appointment of the Board represents a significant step in opening up support for SAM and growing new revenue opportunities for its growth.

"I extend my thanks to the voluntary Board of Directors for their commitment to SAM and its important role in the future of Greater Shepparton. This is a fantastic group of individuals with broad ranging skills and strong links to the region," said Mr Cator.

Expressions of interest to join the board were sought from individuals with the desire and capacity to gift and raise funds, with skills in the philanthropic, financial investment, legal, arts, business or marketing sectors. Expressions of interest closed on 6 December 2013 and a selection panel comprising Greater Shepparton City Council CEO Gavin Cator, Mayor Jenny Houlihan, SAM Director Kirsten Paisley and Acting General Manager Market & Community Development, Arts Victoria, Ian Rogers was convened to review the applications and make a determination.

The SAM Foundation Board came together for the first time on Tuesday 1 April, 2014 to meet each other, Councillors and Senior Council Staff and to tour the Art Museum, with the inaugural meeting of the Board planned for later this month.

The SAM Foundation has been established as a company limited by guarantee with Deductible Gift Recipient Status, to raise funds for a new expanded SAM and for the growth of the art collection.

The appointment of the Board follows Council approval at a meeting in February to go ahead with a detailed feasibility study to look at options for a stand-alone new SAM facility.

If you would like to express interest in the SAM Foundation please contact SAM Director Kirsten Paisley on phone (03) 5832 9700.

Image: (l-r) Greater Shepparton City Council CEO Gavin Cator, SAM Foundation Chair Peter Quinn, Board Member Stephen Copulos and SAM Director Kirsten Paisley.

Angels Coming to SAM

13 March 2014

Shepparton Art Museum is delighted to present Delinquent Angel: John Perceval’s ceramic angels from 29 August to 24 November 2014.

This historically significant exhibition brings together approximately 40 of John Perceval’s ceramic angel sculptures for the first time since they were first exhibited in 1958 and 1959 at the Museum of Modern Art of Australia with texts by David Boyd and John Reed. Delinquent Angel: John Perceval’s ceramic angels is a landmark exhibition for SAM and highlight of the 2014 exhibition program. The exhibition draws three works from SAM’s nationally significant ceramics collection.

‘We’re so proud to be presenting this long-planned-for exhibition at SAM,’ curator Elise Routledge said. ‘John Perceval’s ceramic angels are one of the most significant bodies of work produced in the era of Australian modernism, comparable with Arthur Boyd’s ‘Love, Marriage and Death of a Half Caste’ (or ‘Brides’), or Sidney Nolan’s ‘Ned Kelly’ series. Aside from their art historical significance, they’re captivating works and we’re planning for the exhibition to honour their deviant and sophisticated spirit.’

John Perceval AO is one of Australia’s most celebrated and loved artists renowned for his radicalism, expressiveness and prolific output, along with his complex personal life. As a member of the Angry Penguins avante-garde movement that began in the 1940s, Perceval joined with other Australian art luminaries Arthur Boyd, Albert Tucker, Sidney Nolan, Danila Vassilieff and Joy Hester to rail against the insular conservatism of Australian society and push for new voices and modes of expression.

This historically significant exhibition brings together approximately 40 of John Perceval’s ceramic angels from major public and private collections across Australia, including the Australian War Memorial, Canberra; National Gallery of Australia, Canberra; Heide Museum of Modern Art, Melbourne; Monash University Museum of Art, Melbourne; Queensland Art Gallery, Brisbane; and Shepparton Art Museum. The exhibition will explore the themes of the angels and examine their place within John Perceval’s artistic practice and world-at-large as a father, friend, and avante-garde member of society in conservative 1950s and ’60s Australia.

Delinquent Angel: John Perceval’s ceramic angels will be accompanied by a new essay on the angels by art historian and curatorial consultant on this exhibition, Damian Smith. The essay will be published on a blog, https://www.percevalsangels.com/ where images of the angels will be also reproduced alongside contextual information, interviews, guest blog entries and education resources.

Feasibility study for new SAM given go-ahead

18 February 2014

Greater Shepparton City Council has approved the proposal to conduct a detailed feasibility study to look at options for a stand-alone Shepparton Art Museum (SAM) to progress into the future at the Council meeting last night.

The proposed feasibility study will investigate site examination, demand analysis, financial modelling and business planning, project scoping, concept design and costings, and governance options for a new museum.

The feasibility study will provide Council with a comprehensive business case to make an informed decision about the viability and substance of a new stand-alone SAM. A detailed feasibility study is also a requirement for future state government investment in infrastructure.

Council will contribute up to $125,000 to the study and will seek matched funding from the Regional Development Victoria's (RDV) Developing Stronger Regions Program.

GSCC Mayor, Jenny Houlihan says whilst the current SAM meets museum standards, exhibition space is restricted and storage facilities inadequate. "SAM is a small facility which limits the growth and programming of the Museum and its collection," said Cr Houlihan. "Storage space is at capacity even though 70 square metres were taken from exhibition space in 2011, which in turn has restricted the space available for display."

"Since the redevelopment in 2011 SAM has enjoyed an increased public profile and visits, and was named Victoria's best small museum in 2012. It was also named as a best practice case study in arts branding and community and cultural development by Arts Victoria and the Melbourne Business School in 2013."

Cr Houlihan said a new SAM could be an architectural landmark for the city and would be based on informed recommendations from the feasibility study. "It could focus on Australian ceramics, indigenous and contemporary Australian art and could also host international exhibitions and provide an educational and cultural program to engage diverse communities," she said.

"A new SAM could assist in an arts-led economic and social recovery for the region by providing a major cultural tourist attraction encouraging people to visit and invest in the region."

Shepparton Art Museum is proudly provided by Greater Shepparton City Council, located at 70 Welsford Street, Shepparton, and is open 7 days from 10am to 4pm (public holidays 1pm to 4pm).
For general SAM enquiries and bookings please contact: (03) 5832 9861, email art.museum@shepparton.vic.gov.au, or visit www.sheppartonartmuseum.com.au for more information.

Image: SAM Director Kirsten Paisley and Greater Shepparton Mayor Jenny Houlihan in the current art museum collection store.

For more information please contact SAM on (03) 5832 9861.

Winner of summer art workshop

7 January 2014

Shepparton resident Tanya Minotti is the winner of a free workshop from the Shepparton Art Museum “Summer Art Experience” series.

The competition asked people to submit 30 words on why they wanted to do a Summer Art workshop. Ms Minotti’s entry was “I often fantasize about creating sculptures and other useful things using clay but having six children (youngest is 16mo) I just don’t get to even get close to making anything!”

Ms Minotti chose the Holding Water Clay Workshop with local artist Angie Russi as her preference and will participate in the three-day workshop next week. “The workshop gives me an opportunity to meet others interested in clay and to learn more and contribute to my own personal development. With six children my time and opportunities are limited so it’s great to be able to do something for myself,” said Ms Minotti.

The workshop is one of four creative art workshops being held in Murchison from Tuesday 14 to Thursday 16 January. The workshops include Liquid Cipher Painting with Salvina Conti, The Handmade Paper and Print Workshop with Robyn Thompson, the Textile Workshop with Ilke White and the Angie Russi clay workshop.

The Handmade Paper and Print Workshop has limited places available however the other workshops are almost full. In the Paper workshop, participants will explore the surroundings of the Goulburn River to illuminate ideas for the production of a small illustrated story of landscape and place.

Using natural fibres found on location to create hand-made paper, participants will be tutored in lino carving and printing techniques to create a limited edition hand printed book or object.

Each workshop goes for three days from 10am to 4pm daily with each being taught by well-known artists. The cost of $320 per person ($300 for Friends of SAM) covers essential equipment, materials and some refreshments. For more information please contact SAM’s public program staff on 5832 9520 or 5832 9494. Numbers are limited so you need to act fast.

SAM Future – The Facts

12 December 2013

While a few members of the Greater Shepparton community have cast doubt over the future of the Shepparton Art Museum (SAM), Greater Shepparton City Council is undertaking a significant amount of groundwork to secure a long-term vision for the facility.

Key to the future of the museum will be the fundraising and investment undertaken by the yet to be established SAM Foundation.

The mandate for the Foundation is very clear, to raise funds to undertake a significant capital drive for a new expanded art museum and to grow funds to benefit the SAM collection and program.

The Foundation's facts are:
• The Foundation is yet to be fully established as appointments to the inaugural board are yet to be made.
• The trust deed of the Foundation is independent to the gallery and its purpose is to raise funds for the new SAM.
• The funds raised by the Foundation will be quarantined and cannot and will not be used to support Council operations.
• Council will contribute $545,000 to assist the Foundation in establishing their independent financial management.
• It will be at the discretion of the Foundation as to how their funds are raised and used.
• The current governance arrangements for the establishment of the Foundation are an interim measure while other governance models are being evaluated.
• A Memorandum of Understanding (MOU) between Council and the Foundation has been developed by Herbert, Smith, Freehills who specialise in art gallery governance models. The MOU will ensure that the Foundation is compliant with the Public Ancillary Fund Guidelines (2011) and other taxation laws applicable to public ancillary funds.
• A delegation of Councillors, Council officers and key stakeholders recently visited Melbourne based galleries to review their governance arrangements. These visits will be used to inform the on-going governance structure.
• Council has been in very productive discussions with Regional Development Victoria relating to funding for a business plan for the new SAM facility. The business plan will examine in part, the most appropriate governance structure which will ensure the protection of SAM's significant assets for the benefit and enjoyment of the Greater Shepparton community.

"Comments made to the media by community members regarding the present model of governance for the SAM Foundation is extremely disappointing", suggests City of Greater Shepparton CEO Gavin Cator.

"The perception that a new SAM facility will be sold off in order to fund operational activities is incorrect and misguided. SAM's art works are a significant ratepayer asset, where from over 50 years Council has successfully managed and grown on behalf of the Greater Shepparton community. The art works are owned and have always been managed in the best interests of our Rate payers", explains Mr Cator.

The location and governance of any new facility are yet to be determined. There is still much work to be done.

"We understand that in order to achieve a visionary outcome for any potential museum, the Council will need to partner with a range of private and government stakeholders" contends Mr Cator.

"The design of any proposed new governance structure for the potential museum, whether it is a charity, trust, or company, must have Councillor involvement to ensure it is developed to protect the assets of the Greater Shepparton community. Council needs to be confident in any new governance and it will take detailed research, extensive business planning and consultation with all key stakeholders of which the Foundation will be one such group."

For more information please contact Mr Gavin Cator on 0418 338 659.

The Friends of SAM Commission by Nici Cumpston

10 December 2013

The Friends of SAM unveil new artwork by artist Nici Cumpston.

The Friends of SAM and Shepparton Art Museum (SAM) are delighted to present the Friends of SAM Commission by Adelaide-based photographer, Nici Cumpston.

The Friends of SAM Commission invites a major Australian artist to create an artwork that engages with the Shepparton region for the SAM permanent collection. This visionary commission was initiated in 2012 to address the lack of art works in the SAM collection about the Shepparton region.

Nici Cumpston's body of work for the Friends of SAM Commission documents and honours the relationship between local Aboriginal people and country around Shepparton. The artist has produced a suite of four hand-coloured photographs: two of an Aboriginal water hole site at Whroo Historic Reserve, near Rushworth; and two of a scar-tree and creek in Barmah National Park. Cumpston produced this body of work after meeting with local Aboriginal Elders in and around Shepparton.

‘The Friends of SAM Commission brings a substantial new body of work by one of Australia's most exciting and well-respected photographers into SAM's permanent collection,' SAM Director Kirsten Paisley said. ‘Nici has been extremely generous with the work she has made for SAM and delivered four extraordinarily beautiful and haunting images. We are grateful to the artist, and also the Friends of SAM for their vision in commissioning a new work about the region.'

‘The Friends are really looking forward to seeing Nici's work exhibited on the walls at SAM,' Friends of SAM president, Barb Gray said. ‘I am sure the local community will be as thrilled with them as we are.'

The commission provides an opportunity for audiences from Shepparton and further afield to learn about aspects of the history of this region from an Aboriginal perspective and to appreciate the ongoing relationship between local Aboriginal people and country surrounding Shepparton and in North-Central Victoria.

Nici Cumpston will present a free artist talk at SAM on Friday 13 December at 5pm, which the general public are encouraged to attend. Please RSVP to (03) 5832 9861.

The commission will be officially unveiled at the Friends of SAM Christmas Party and Friends Forever exhibition opening on Friday 13 December, to be held at SAM from 6pm. Tickets are $20 per person. Please phone (03) 5832 9861 or visit SAM at 70 Welsford Street, Shepparton should you wish to attend.

ABOUT THE ARTIST
Nici Cumpston is an Adelaide-based photographer with Aboriginal Australian, Afghan, British and Irish heritage. Her work testifies to the ongoing relationship between Aboriginal people
and country in south-east Australia, and the violent impact of European settlement on both the environment and Aboriginal people. Nici Cumpston is connected to the Murray Darling River
system through her Barkindji family.

ABOUT THE FRIENDS OF SAM
The Friends of SAM Inc. develop and foster an active cultural community in Greater Shepparton and support Shepparton Art Museum by raising funds for the acquisition of new works amongst
other activities.

Shepparton Art Museum is proudly provided by Greater Shepparton City Council, located at 70 Welsford Street, Shepparton. For general SAM enquiries and bookings please contact: (03) 5832
9861, email art.museum@shepparton.vic.gov.au or visit www.sheppartonartmuseum.com.au.

SAM is open 7 days from 10am to 4pm (public holidays 1pm to 4pm), and closed on Christmas Day, New Year's Day and Good Friday.

For more information regarding this media release and for interview and photo/video opportunities, please contact SAM Marketing Co-ordinator Amina Barolli on ph: (03) 5832
9522 E: amina.barolli@shepparton.vic.gov.au.

Image: Nici Cumpston, Budgee Creek II, Barmah National Park 2013
archival inkjet print, hand coloured with synthetic polymer paint and pencil
65 x 175 cm, image courtesy and © the artist

‘More Than Art’, Social and Economic Impact Study of SAM Reveals

27 November 2013

On Tuesday 26 November 2013, the Melbourne Business School in partnership with Deakin University, Arts Victoria and the Public Galleries Association Victoria (PGAV) launched a report on the Best Practice Models of Economic and Social Impact in Public Art Museums, based on research of four institutions who they believe to be demonstrating best practise. One of the showcased institutions was Shepparton Art Museum (SAM).

Preceding the report launch, an afternoon symposium was held where the directors of the four institutions profiled, candidly discussed their strategies and the impact that these art museums have brought to their communities to support the report's research findings. These included:

Karen Quinlan – Director, Bendigo Art Gallery
Melinda Martin – Director, Linden Centre for Contemporary Art
Kirsten Paisley – Director, Shepparton Art Museum
Sue Roff – Executive Director, Arts Project Australia

The session was chaired by Associate Professor Jody Evans (Melbourne Business School) and Dr Kerrie Bridson (Deakin University); lead researchers and authors of the report Best Practice Models of Economic & Social Impact in Public Art Museums.

The Melbourne Business School also invited philanthropist Carrillo Gantner to speak on why philanthropists should invest in regional cities, using Shepparton as an example.

The research surrounding SAM for Best Practice Models of Economic and Social Impact in Public Art Museums was conducted with a focus group of approximately 30 internal and external stakeholders during August 2013, including Councillors, visitors to SAM and members of the Friends of SAM. It concluded that:

SAM's inputs, activities and outputs result in a number of important personal and collective outcomes. These outcomes include a boost to tourism in the region, new opportunities for local artists, increased social contact and improvements to health, confidence and self-esteems for members of the Greater Shepparton community.

There was a great sense of dynamism and energy when external stakeholders discussed SAM. This can be partly attributed to the strength of the art museum's cultural development program. As external stakeholders noted:

‘It's not just a place to come and be, it's a place that does things and it brings the communities together and brings tourists in and we want more of that.'
‘I love how inclusive SAM is with trying to reach out to different parts of the community whether it's Indigenous or new immigrants. I think using art as a medium for building relationships is really important.'

Whilst the social and economic impacts are of great importance, most public art museums also aspire to have a strong intrinsic impact. Certainly, SAM has a powerful impact on the individuals who engage with its collection, exhibitions and programs. The intrinsic impact of the visual arts in terms of creative stimulation, learning and thinking is particularly important in regional communities.

To view the full report, visit: https://brandingthearts.com/research-projects/

SAM is open 7 days from 10am to 4pm (public holidays 1pm to 4pm), and closed on Christmas Day, New Year's Day and Good Friday.

2014 Indigenous Ceramic Art Award Applications Now Open

31 October 2013

Applications for the 2014 Indigenous Ceramic Art Award (ICAA) at Shepparton Art Museum (Victoria) are now open. With a combined prize pool of $33 000, the ICAA is the premier national award for Indigenous artists working in ceramics.

Shepparton Art Museum’s 2014 Indigenous Ceramic Art Award (ICAA) is the fourth in the series of this biennial event. Previous prize winners include Janet Fieldhouse, Cynthia Vogler, Vera Cooper, Danie Mellor, Rona Rubuntja, Irene Mbitjana Entata and Carol Anilyuru Williams.

First Prize $20, 000 Acquisitive
Second Prize $10, 000 Acquisitive
Encouragement Award (for a Victorian artist) $3, 000 Acquisitive

The 2014 ICAA exhibition will run from 16 May to 10 August 2014 at the Shepparton Art Museum, Victoria.

The ICAA celebrates and supports the rich and diverse use of the ceramic medium by Indigenous artists, promoting the inclusion of Indigenous ceramics into exhibitions and collections throughout Australia. The Award also provides cultural exchange through a public program of workshops, talks and other events.

‘Established under the patronage of late acclaimed artist Dr Gloria Thanakupi Fletcher, this Award celebrates and supports the rich and diverse use of ceramic medium by Indigenous artists and acknowledges the special industry of ceramic art,’ SAM Director Kirsten Paisley said. ‘As an acquisitive award, it contributes to the Art Museum’s significant holdings of Australian ceramic art.’

‘Greater Shepparton City Council encourages Indigenous artists to take up this remarkable opportunity to exhibit at SAM, where Australia’s best ceramic collection is housed,’ Mayor Jenny Houlihan said. ‘Previous award winners have gone on to reap benefits from their participation; being exhibited commercially and collected by other institutions.’

The Indigenous Ceramic Art Award is proudly supported by major partners; Sir Andrew and Lady Fairley Foundation, Margaret Lawrence Bequest and Mr Allan Myers AO QC, and sponsor S & J Rothfield Family Fund. Shepparton Art Museum is proudly provided by Greater Shepparton City Council.

Applications for the 2014 Indigenous Ceramic Art Award close Friday 7 March 2014, at 5pm EST. Entry forms can be downloaded from SAM’s website at www.sheppartonartmuseum.com.au/2014-indigenous-ceramic-art-award

For high-resolution images of past ICAA artists’ works, or to arrange an interview with the SAM Director, please contact SAM Marketing Co-ordinator Amina Barolli on (03) 5832 9522 or amina.barolli@shepparton.vic.gov.au.

SAM Foundation Call for Inaugural Board Members (9 positions)

21 October 2013

Mr Gavin Cator, CEO of Greater Shepparton City Council, is seeking expressions of interest from individuals to join the inaugural Shepparton Art Museum Foundation Board (SAM Foundation).

The SAM Foundation is being established as a company limited by guarantee to undertake a significant capital drive for a new expanded Art Museum, and to grow funds to benefit the SAM collection and program. The SAM Foundation, founded by Mr Cator, will have deductible gift recipient status which will provide a new opportunity for SAM in generating greater philanthropic giving and thereby increasing its capacity to exhibit greater quality works. It will be a repository for gifts and bequests made for the long-term benefit of SAM and the broader community.

The preamble of the Trust Deed states that the Foundation’s purpose is to “assist and support the Shepparton Art Museum through fundraising and investment” and to “support the operation and strategies of the Shepparton Art Museum”.

Expressions of interest are sought from individuals with the desire and capacity to gift and raise funds and those with an understanding of the importance of SAM for the Goulburn Valley. Individuals with skills in the philanthropic, financial investment, legal, business and marketing sectors are encouraged to contact SAM Director Kirsten Paisley on m: 0403 423 998 to discuss their involvement. Expressions of interest will close 6 December 2013.

We invite interested members of the public to an information session to be held at SAM, 70 Welsford Street, Shepparton on Monday 11 November at 5.30pm. Please RSVP by phoning SAM on (03) 5832 9861.

SAM is open 7 days from 10am to 4pm (public holidays 1pm to 4pm). Shepparton Art Museum is proudly provided by Greater Shepparton City Council, located at 70 Welsford Street, Shepparton. For general SAM enquiries and bookings please contact: (03) 5832 9861 or email art.museum@shepparton.vic.gov.au.

Region’s cultural heritage stars awarded

21 April 2013

The region’s rich cultural heritage was recognised as seven awards were bestowed during the inaugural Greater Shepparton Cultural Heritage Awards on the weekend.

The winning nominations were:

Members of the Tatura & District Historical Society
The publication Water: the vital element | 150 years of Shepparton’s growth (Shepparton Heritage Centre Inc)
St Augustine's Anglican Church, Shepparton
The Welcome to Merrigum from 1887: History Walk (Merrigum Historical Society)
The recording The Siege of Tallygaroopna (Heather and Bruce Lloyd)
The former Springvale Presbyterian Church, Harston (Suzanne and Wesley Tyson)
Chateau Dookie, Dookie (A & C Moylan)

“It has been a privilege to be involved in presenting these awards,” said Cr Jenny Houlihan, Mayor of Greater Shepparton City Council, who presented them on Saturday. “The whole of Greater Shepparton has a debt of gratitude towards these hard working individuals and groups, who have given so much of their time and resources to preserve the elements of cultural heritage we are honouring.

Cr Houlihan also paid tribute to the Heritage Advisory Committee, “a key body where these groups can have a coordinated voice in advising the Council on cultural heritage issues.”

“Council is proud to have been driving this renaissance of acknowledging and promoting our region’s cultural heritage and continuing to identify places of significance,” Cr Houlihan said. “And what heritage it is. The variety and quality of the nominations easily satisfied the objective of the awards to recognise outstanding contributions to cultural heritage conservation, research, education, promotion, interpretation, training and awareness-raising within Greater Shepparton.”

Cr Houlihan encouraged everyone in the community to review each of the nominations and to learn more about the examples of cultural heritage conservation, research, promotion, interpretation and awareness-raising.

The Winners?

The top seven nominations below are listed from the highest score to the lowest score.

Members of the Tatura & District Historical Society entered in the category ‘Other’.??This award recognises the potential for outstanding contributions to cultural heritage conservation, research, education, promotion, interpretation, training and awareness-raising within Greater Shepparton.??The collections held at this museum are of great diversity and provide a remarkable insight into many aspects of the cultural heritage of Tatura and the wider region.
The publication Water: the vital element | 150 years of Shepparton’s growth (Shepparton Heritage Centre Inc) entered in the category ‘Best Archival or Other Publication’.??This award recognises and acknowledges the author(s) or editor(s) of an outstanding publication related to interpretation, recording, research, promotion and awareness-raising of cultural heritage within Greater Shepparton.??This publication, by focusing on water, the collection of water, the distribution of water and the politics of water, illustrates how water has shaped Shepparton over the last 150 year and is a valuable record of the cultural heritage of Shepparton. ??
St Augustine's Anglican Church (Diocese of Wangaratta) entered in the category ‘Best Maintained Place’.??This award recognises cultural heritage places that are maintained to very high standards by their owners or guardians.??St Augustine’s Anglican Church is one of Shepparton’s finest architect designed buildings. A large part of this church complex was designed by Louis Williams – a noted church architect from the early 20th century. The Anglican community have been excellent stewards as they have carefully maintained and preserved the fabric of the building as well as providing a beautiful garden setting for the whole complex.
The Welcome to Merrigum from 1887: History Walk (Merrigum Historical Society) entered in the category ‘Interpretive Signage’.??This award recognises the interpretation of a place of cultural heritage significance in a text – written, electronic or other – which serves as a communication tool for the understanding of the place and as a tangible reminder of its cultural heritage significance.??The Welcome to Merrigum Walk prepared by the Merrigum Historical Society is a meticulously researched brochure. It is well written and provides the perfect amount of detail and historic facts.?
The recording The Siege of Tallygaroopna (Heather and Bruce Lloyd) entered in the category ‘Other’.??This award recognises the potential for outstanding contributions to cultural heritage conservation, research, education, promotion, interpretation, training and awareness-raising within Greater Shepparton.??The recording of the Siege of Tallygaroopna is a marvellous rendition of a tale from the very early squatting days. It is hugely entertaining while at the same time providing a historic background.
The former Springvale Presbyterian Church (Suzanne and Wesley Tyson) entered in the category ‘Creative Reuse of a Place’.??This award recognises adaptive reuse of a place of cultural heritage significance. It must demonstrate that the adaptive reuse has had a minimal impact on the place’s cultural heritage significance and setting.??Throughout regional Victoria churches are being sold as congregations dwindle. There are many examples of adaptive re-use and this adaption has placed an equal importance on the retention of the interior finishes and spatial qualities as well as the retention of the essential character of the church building.??
Chateau Dookie (A & C Moylan) entered in the category ‘Restoration of a Place’.??This award recognises best practice restoration work that returns fabric back to a known earlier state or conserves its integrity. It must have demonstrated an outstanding application of the principles of the Burra Charter.??Chateau Dookie is of great historic interest and significance. ‘The Chateau’ was constructed in 1886 for John Curtain, MLA for North Melbourne in 1871-1877, and was built by local builders Alexander and Torgrimson. It incorporated special features in response to hot climatic conditions including verandahs along all four sides.

The verandahs were removed in the twentieth century. The new owners have reconstructed one of the verandahs to the front façade. It was designed to best replicate the original – albeit without the returns. During the construction of the verandah the original materials have not been used. There were no surviving remnants of the ‘cast iron’ to be found and new panels were cast.

The introduction of new materials when the originals have been lost is a decision that needs to be made carefully. The new materials and technologies used are clearly identified as such. This is important as it is a reconstruction [albeit partial] and to ‘find’ old materials and use them in any restoration works would be misleading. This methodology is fully supported by the Burra Charter and is a fine example of judicious conservation works.

Deadline tomorrow for Cultural Heritage awards

18 February 2013

Nominations for Greater Shepparton City Council’s inaugural Cultural Heritage awards close at 5pm next Wednesday 20 February.

The new awards were launched in December to provide the region with an opportunity to learn more about its Cultural Heritage and to recognise and honour outstanding contributions to cultural heritage conservation, research, interpretation and education.

“We’ve had a great response so far from the community,” said Greater Shepparton City Council Mayor Jenny Houlihan. “They’ve ranged from best maintained place to publications to volunteer groups illustrating the great range of cultural heritage sites and activities around Greater Shepparton.”

Cr Houlihan encouraged anyone who was considering whether their project or site was suitable for a nomination to take action before the deadline, and not limit themselves to thinking only of the architecture of buildings.

“Cultural heritage significance refers to architectural, historic, scientific, social or spiritual value for past, present or future generations,” she said. “It includes things like buildings and monuments but it also includes important elements of our region’s diverse cultural heritage such as books, works of art, and even folklore, local knowledge and traditions, and language.”

Places of cultural heritage significance can include a site, area, land, landscape, building or other work, group of buildings or other works, and could also include components, contents, spaces and views.

Award categories include creative reuse of a place, development within a Heritage Overlay Precinct, restoration of a place, best maintained place, specialist heritage trade skill, sustainability and/or greening of a place, recognition of outstanding community contribution to a place, best archive or publication, a junior category, and interpretive signage.

A maximum of six of the best nominations received will then be honoured at a Cultural Heritage Awards ceremony to be held in April 2013 during Australian Heritage Week.

Further information about the awards as well as nomination forms can be downloaded from the link below.

The Winners?

Traditional Owners Acknowledgement.